Reviews
Krystal Keith, ‘Krystal Keith’ – EP Review
Krystal Keith proves she has the talent to make it in Nashville, but a larger sample is needed to distinguish her as her own artist. At her best she's Bonnie Raitt for a new generation -- but at other times her style, pacing and lyrics are too heavily influenced by Toby Keith.
It Was Worth the 5-Year Wait for The Statesboro Revue’s ‘Ramble on Privilege Creek’ – CD Review
I've been a fan of The Statesboro Review for a few years now. Since I first listened to the Austin-based band's debut CD, 'Different Kind of Light' in 2008, I was hooked on their sound. Stewart Mann and his band brought to my ears a terrific blend of southern rock, country, soul, bluegrass and folk, delivered in a fashion that seemed so natural. Along with their growing fan base, I've waited patiently for a follow-up, and 'Ramble on Privilege Creek' is finally here. And there is zero letdown.
Randy Rogers Band, ‘Fuzzy’ – Song Review
The Randy Rogers Band go for broke on their new single 'Fuzzy' from an upcoming album called 'Trouble.' This story of a wild night out is what 'The Hangover' would sound like if written by a country band.
Randy Rogers Offers Something Very Different With His New Single ‘Fuzzy’ – Song Review
The Randy Rogers Band earned the right to stretch his boundaries a long time ago. The success they have seen in his 13+ years as a Texas country singer/songwriter allows that, and his legions of fans embrace the fact that Rogers pushes the creative envelope and still makes great music. With a new CD, 'Trouble' coming out April 30th, at least one song from the album has a very different feel from what we've heard from RR in the past, and that's the latest single, 'Fuzzy'.
Willie Nelson, ‘Let’s Face the Music and Dance’ – Album Review
'Let's Face the Music and Dance' is a great place for a young country music fan to meet Willie Nelson. It won't be his most famous, and it won't create any hit singles. This wonderfully consistent effort proves what longtime fans of the legend already know: At 79 years old (80 on April 30), Nelson is still as important and skilled a vocalist as there is in country music.
Vote to Determine the Top 10 Videos of the Week in Taste of Country’s Countdown
Can anyone stop Carrie Underwood? 'Two Black Cadillacs' has built a house on top of the ToC Top 10 Video Countdown, but there are more than a few big bad wolves looking to blow it down. New videos from Florida Georgia Line and Taylor Swift enter the voting poll this week, in addition to returning Top-10ers from Miranda Lambert, Blake Shelton and Toby Keith.
Chris Cagle, ‘Dance Baby Dance’ – Song Review
'Dance Baby Dance' is one of the finest songs of Chris Cagle's career -- perhaps his best ballad. A few fathers (and maybe a couple of mothers) will be wiping away tears before the end of the first verse. He hits that sweet spot between familiar and hokey.
Buzzer Beaters: First Day of the Masters, Harang Goes to Seattle and More
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Luke Bryan, ‘Crash My Party’ – Song Review
Luke Bryan's new song 'Crash My Party' would fit well on his last album 'Tailgates and Tanlines.' The ballad is a continuation of themes introduced with 'I Don't Want This Night to End' and 'Drunk on You,' two No. 1 hits for the ACM Entertainer of the Year. At first listen, it's difficult to become excited about a song that's so familiar.
Scotty McCreery, ‘See You Tonight’ – Song Review
Scotty McCreery makes his songwriting debut on 'See You Tonight,' a mid-tempo love song that finds the 19-year-old not settling for a phone call or some distant "I love you" from the girl who holds his heart. It's the start of a new chapter for McCreery -- one that's much more important than his last.
Brad Paisley, ‘Wheelhouse’ – Album Review
Brad Paisley's 'Wheelhouse' delivers a familiar mix of humor, life lessons and scorching guitar solos, but it does it in a way different from any of the other eight albums the 'Beat This Summer' singer has released. He took his old formula, balled it up, lit it on fire and tossed the ashes in the garbage. The result is a meaty and ambitious project that doesn't always click, but clears new ground when it does.

